Centennial of Iconic Environmentalist's Birth Brings Mixed Response
With the centennial of environmentalist Rachel Carson’s birth occurring this year, there has been an increased amount of debate about the accuracy of her work. While Carson’s supporters continue to laud her as a prescient voice whose insights led to the modern environmental movement, her critics have begun renewed efforts to expose what they view as scientifically unsound methods in her research.
This national debate was recently brought to a more local level during an event held on June 7 at the Spencer Museum of Art called “Voices from the Margins: ‘Silent Spring/Silencing Rachel Carson.’”
The centerpiece of the event was a showing of the PBS documentary “Rachel Carson’s Silent Spring,” which focused on the difficulties that Rachel Carson had in raising public awareness about the dangers of pesticide use, mainly Dichloro-Diphenyl-Trichoroethane or DDT.
The documentary was introduced by Maril Hazlett, an environmental historian who holds a doctorate in environmental history from the University of Kansas and wrote her dissertation on the public’s response to Rachel Carson’s work.
“Carson told people that they were part of the web of life,” Hazlett said. “She told them that they were not superior to or separate from the laws of the environment, and that their abuse of the environment would come back to them.”
However, not everyone holds Hazlett’s rosy assessment of Carson’s legacy. A recent article by John Tierney published in The New York Times paints Carson as an environmental extremist whose predictions about the disastrous effects of pesticides were largely unfounded.
In the article, Tierney refers to Carson’s work as a “hodgepodge of science and junk science” based upon “dubious statistics and anecdotes.” He also dismisses Carson’s findings on the carcinogenic effects of pesticide use.
And Tierney is not the only critic of Carson’s work. Her findings have also been refuted by Africa Fighting Malaria, a Washington-based think tank that promotes DDT as one of the most effective deterrents of malaria.
Hazlett dismissed the allegations being made against Carson, saying that falsely portraying Carson as an extremist who was completely against pesticide use is the final way in which Carson’s voice is being marginalized.
“Rachel Carson was a moderate voice who drew a distinction between pesticide use and misuse,” Hazlett said. “This is a moderate position that modern environmental activists need to reclaim.”
Valery Terwilliger, a professor of Environmental Studies at the University of Kansas, joined Hazlett in dismissing Tierney’s criticism.
“(Tierney’s) article is rather simplistic and does not provide any new information,” Terwilliger said.
Terwilliger also said that Tierney’s profession as a journalist instead of a scientist undermined the credibility of his article.
Peter Herlihy, another professor of Environmental Studies at the University of Kansas, also defended
Carson’s work, saying that a few mistake in research should not be used to undermine Carson’s otherwise monumental legacy.
“Frankly, it’s hard to critique someone who has done so much, even if there were some small mistakes,” Herlihy said.
In addition to the showing of the documentary, the event also featured an art exhibition showcasing works related to the environment.
Kate Meyer, curatorial assistant at Spencer Museum who helped organize the exhibition, said that the fact that all of the works were created after Carson’s death in 1964 underscored the importance of Carson’s work in bringing environmental issues to the fore.
Meyer also said that art played an important role in continuing the quest for environmental awareness that Carson was so instrumental in spearheading.
“Art allows for a visual access point to an issue that can bring about an emotional
gut reaction that is very powerful and not partisan,” Meyer said.
The event was organized by The Commons, an organization seeking to bring important issues to the forefront and open dialogue about difficult subjects. The organization describes itself as dedicated to exploring the “relationship between nature and culture across the sciences, humanities, and the arts,” and is co-sponsored by members of the Biodiversity Institute, the Hall Center for the Humanities, and the Spencer Museum of Art.
